courtesy DC

The War is over. The Adversary deposed and the Homelands are in shambles. Ancient evils that the Empire had contained are now free, changing the status of magic and the Fables world. The first big change - the complete destruction of Fabletown.

It seems as though writer Bill Willingham spent years building up the characters and the status quo just so he could tear it apart. The real story is just beginning, Willingham claimed at San Diego Comic Con, and we can see what is going to happen: new enemies, new problems, Charming is dead, Boy Blue injured and a mechanical tiger leads a resistance of Jungle Book Fables with Mowgli.

What Vertigo books do in general, unlike DC or Marvel books, is change. You can see this in DC and Marvel’s constant story rebooting with franchises like Superman or Spider-man. There’s a formula and we have to stick to it. Willingham and other “graphic novel” writers write more like TV or movie writers, where things do change. Unlike shows like House or comics like Spider-man, where the status quo is rigidly enforced with the illusion of change, Fables progresses. The rigid formula shows aren’t bad of course, but after awhile of the same web-slinging and similar trial-by-error diagnosis wear a bit thin, and comics like Fables set up a formula to break it down, making the alteration much more satisfying and expected.

So what I’m saying, in the semi-words of The Simpsons‘ Comic Book Guy, is: “Best comic ever.”

According to recent news, Bill Willingham’s comic epic, Fables, will be given the chance to wow the top ABC brass to see if the show could make it to air. Fables is about a world where fairy tales are real and live in our world. Forced from their otherworldly fairy tale dimensions, the Fables try to keep themselves hidden from us and the foe they have fled.

The series is one of the best comic books out there today, mixing spy thriller, comedy, romance, epic fantasy and political genres into one massive story that deals with the lives of several popular, less popular or never heard of fairy tale legends. While the story focuses primarily on the Big Bad Wolf, reformed of course, and Snow White, later we see characters like Little Boy Blue, King Cole, Beauty, Beast, The Frog Prince, and dozens of others take center stage.

Fables would make a great TV show in the current market due to this chemistry. Shows today focus on several characters (think Lost or Heroes, even Grey’s Anatomy has several players). More people means more drama and more story-driven conflict due to various interactions. This would be on top of the epic fantasy and political drama the external storylines Willigham crafted to guide the characters.

But of course, a pilot is just a first episode, meant to see if the show would be worth it in the long run. Fables the comic had a lot of mileage, but if we try to slow down the conflict to have a lot of star-studded drama scenes, would the show be a legitimate translation? Probably not, but then again, for this series, I’m willing to wait and see what we get.

I made a promise I couldn’t keep. Covering Comic-Con by oneself is impossible. The convention center took days to explore, and each panel had a line so long, you would have had to be there an hour before hand to ensure attendance. I thought I’d have free time, but at night when I thought I’d post, I was occupied by parties.

As far as the Con went, I have mixed feelings. As a comic fan, everyone and everything you’d want to see would be there, and lines in teh comic book area wouldn’t be too horrible. But, the movie and TV and video game and toy stuff really stole comics’ limelight, and filled the con with tourists and kids who admittedly didn’t read. Harold & Kumar were there, for example, and their booth put Marvel’s to shame. But once I stayed out of the entertainment section and kept to the comics area, I had a good time meeting with publishers and creators.

The parties were by far the best part of the Con because I could meet and talk to people one on one. You’d turn around and Joss Whedon or Bruce Campbell would be chilling. I met Mark Waid, Stephen Baldwin, Bill Willingham, the heads of DC and Marvel, Keith Giffen, and Grant Morrison at these parties, and as a professional and a fan boy I had a great time just talking to people.

News: Read the rest of this entry »

Pretty damn good. Many fans already knew the end of Brian K. Vaughan’s epic series of a world where all but one man have died, but for those of us who wait for the trade paperback volumes, this week’s release of the last collection of Y: The Last Man was the end of one of comics best series to date.

Many people demand closure from a series’ conclusion. Others prefer ambiguity so they can imagine what happens. Vaughan does both, and that might not seem possible on paper, once you read the comics you’ll know what I mean. We know what has happened to our characters, where they are going and where they end up, but at the same time there is the promise of something more, - a promise this series has always made.

If you don’t read this series, go do it, and if you already do and haven’t read Vol. 10 - why are you reading this? Go pick it up!

Image courtesy DC

Another person I met at NYCC was illustrator Tony Moore. One of the fun things about comic conventions is the chance to meet the creators behind your favorite titles - not just the writer, but the illustrators, too. Casual comic fans take illustrators for granted, not realizing the strength of every series is the way art conveys the story. The choices the illustrator makes can have a more profound impact on the story than the author intended.

Tony Moore has worked on several of my favorite titles in the past, like The Walking Dead and Brit, and currently is working on Vertigo’s Exterminators and Dark Horse’s Fear Agent series. Mr. Moore took the time to speak to me about his projects and work. Read the rest of this entry »

courtesy DC

Avengers: The Initiative #12 (Marvel) - The first class is revolved out for new super heroes. The best series Marvel putting out right now.

BPRD Vol. 8: KIlling Ground TPB (Dark Horse) - The plot gets icky…

Black Panther: Little Green Men TPB (Marvel) - I thought it was an episode of classic Star Trek, but there is a planet where 20s gangsterism is a way of life. How will the New Fantastic Four react?

Uncles Sam and the Freedom Fighters #8 (DC) - The last one! Go buy 10 copies! This is a great series no one is really giving a chance. Those of us who read it, love it, because the characters are balanced and the plot is hilarious and creepy. Don’t wait for the trade!

Jack of Fables #22 (Vertigo) - After the Pathetic Fallacy one-shot last issue, we return to Jack’s adventures, but this time in the Old West! What (and who) hasn’t he done?

Thor #7 (Marvel) - J. Michael Straczynski has not yet really wowed me. His run on Amazing Spider-man lacked direction and ended (probably by editorial mandate) with the erasing of about half of Spider-man’s continuity. The Twelve was a dozen new faces I didn’t care about. His run on Thor so far has been similarly lack-luster, with the exception of some funny moments (like the Asgardian gods attending a local government meeting). However, the momentum has been building in the series. I’m hoping the series does get better soon though, because I’m giving it one more issue until I’m out.

Angel: After The Fall #5 (IDW) - Time for big fights between all the demonic lords of LA! Read the rest of this entry »

Greeting programs!

If you’ve been in the Illini Union Bookstore (not to be confused with the Illinois University Bookstore) this past week, you may have seen a book display of spring leisure titles picked by staff members. I’ve got my own little section! No, 70% of these aren’t comics, but they are good, fun reads. Some are light-hearted, but some will f^$% you up.

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Why the Last Man?

As of last month, the 60 issue series Y: The Last Man ended. Written by Brian K. Vaughan and illustrated by Pia Guerra, this is the best comic you may not have heard of.

Yorick Brown is an English major with a crazy pet monkey, Ampersand. There is nothing special about them. That is, until every male on the planet dies, but Yorick and his male pet monkey. What follows is a quest across the world to understand what has happened and why Yorick was spared. This is an energetic series and flows like you’re watching a TV show.

I recently spoke with Pia Guerra about the series. Read the rest of this entry »

L For Lloyd

Many of us have seen the film V For Vendetta. Some don’t realize that it was a comic book before that. Written by Alan Moore, this dystopian/super hero book was illustrated by David Lloyd. I was able to speak to Mr. Lloyd about that comic, as well as his newer series, Kickback, published by Dark Horse.

Matt Knicl: What was your general reaction to the movie? Did you feel, like Alan Moore, that it was a “Bush-era fable” or did you think it stood on its own?

David Lloyd: I thought the movie was great, though not as good as the book. But it was a creditable effort, which I was happy to support to the best of my abilities in any way I could. I’ve nothing but praise for everyone involved in bringing the story to the screen and spreading it’s message.
The Wachowski’s definitely had their own agenda in writing the movie and it was evident in the movie itself - but I don’t think that was undermining to the universality of the central themes of the story. Way back in ‘ 88, Alan’s introduction to the DC Vendettas indicated that V was created in reaction to the fascistic tendencies of the Thatcher government, so a lot of people still think the original was a Thatcher-era fable. But this misconception hasn’t damaged the main message of the story, which has always - and will always - rise above the predominant political landscape in any period in which the story is told.

Read the rest of this entry »