Mar
8
2008

Bone vs. The Lord of the Rings

posted by Matt Knicl at 8:16 am.

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Bored of the Rings

Okay, before I begin, let me preface this by saying I’m not against Tolkien’s epic fantasy. However, there are things about it that need addressing. I’m not attacking his writing style or even the story, rather how Tolkien chose to present them. If you like Lord of the Rings, that’s great, but I’m going to voice a different opinion, which is my own and shouldn’t influence your liking of the book. This is aimed more towards people who haven’t yet read Tolkien.

The Lord of the Rings Box Set

Let me first say that Lord of the Rings is not a trilogy, or even a quadrilogy. Tolkien wrote Lord of the Rings as one book, but the publisher broke it into three separate novels. It might be more pertinent to say that Lord of the Rings is then two novels in four volumes - this includes The Hobbit (which is essential to LotR - Fellowship of the Rings references events and characters from The Hobbit to the point of annoyance throughout). But this is still inaccurate as The Silmarillion, the history of Middle Earth, reveals important plot points about LotR, like that Sauron is a demon and Gandalf is basically an angel. This means to read LotR, you need to read five volumes of text. Throw in the Lost Tales and Tolkien’s other Middle Earth writings, and you have a ten volume monster on your hands.

Now if you want to take the time to read the essential five (Hobbit, the LotR trilogy, and Silmarillion), then more power to you. These are the ones you need to read to fully understand the text and Tolkien’s world.

But as far as I am concerned, this is not fair.

Gandalf in Fellowship of the Ring

When I read Hobbit and Fellowship, I liked how Gandalf was portrayed - he “felt the ground with his staff like a blind man” (Fellowship Book 2, Chapter 5). Basically, Gandalf is constantly messing up - he over analyzes the password to the Mines of Moira, chooses the Mines as a path in the first place, and fails to identify the Balrog. All throughout Fellowship, he drops the ball in who he trusts and the courses of action he takes. “Indeed I do not think that even he had a clear purpose” Aragorn confesses after the “learned lore-master” perishes (Book 2, Chapter 8). I’m surprised that LotR fans didn’t revolt when Gandalf was made into an infallible wise man in the movies. I liked that Gandalf screwed up and was tempted by the ring - it showed that all men were corruptible.

But no, I didn’t read The Silmarillion. Gandalf is an Istari of the Ainur in the service of Eru Ilúvatar. Doesn’t make sense? Don’t worry, I’m right there with you. See, this is just like J.K. Rowling announcing that Dumbledore was gay after the release of the 7th Harry Potter book. If you are not a good enough writer to include all the information in the original books and need an ancillary text (Silmarillion) or a press release to clarify what you intended readers to see, then you are not even capable of maintaining the worlds you’ve created! Frankly, it’s just not cool.

What does Jeff Smith’s comic Bone have to do with all of this? Bone, like LotR, is an epic fantasy adventure (its got a world map!). And as a fantasy, it is a much better choice than LotR. Yes, I know these are fighting words, but I honestly believe if you are wanting to get into a fantasy, Bone is much more concise and manageable when compared to the five to ten volumed mess of LotR.

One Volume Edition

Bone begins with a trio of cartoon-like characters leaving the protection of their Shire, Boneville. Soon, Fone Bone, Phoney Bone, and Smiley Bone are separated and Fone Bone ends up staying in the woods with Thorn and her Gran’ma Ben. What begins as a comic misadventure quickly turns to a fantasy adventure deeply rooted the history of the world. While there are several notable characters, each stays present throughout and works within their own special roles in the narrative. Smith had enough hindsight to wrap up every plot thread. Yes, there are ten color volumes available, but the $35 Bone: One Volume Edition collects the whole series in one tome. There are also a few books that detail other parts of the Bone universe, but the main series does not rely on them. If anything, they expand upon stories the main series referenced instead of changing the status quo.

Fone Bone

It all comes to personal preference. If you are shopping around for an epic fantasy, pick Bone. If you’re thinking about LotR still, I’ll leave you with this quote from Sean Connery: “I never understood it. I read the book, I read the script, I saw the movie, and I still don’t understand it.”

    Images courtesy Del Rey, lordoftherings.net and Cartoon Books

Matt Knicl: My name is Matt Knicl. I'm a U of I alumn and one of those unemployed English majors Garrison Keillor likes to make fun of. I've been reading comics since high school and one day I would like to write them. My goal is to expose readers to what is out there in the world of comics and using my English powers, show what is worth reading or not. I can be reached at buzz.comics@gmail.com.

Comments

Matt (Matt) says:
(Posted March 8th, 2008 at 4:22 pm)

First of all, The Silmarillion was not a “press release” or after thought. It was a history of early Middle Earth that Tolkein wrote in different stages. In fact, he wrote some of the stories way before LOTR.

Having read The Hobbit, LOTR, The Silmarillion, The Lost Tales, and Children of Hurin in that order I can tell you that you do not need to read the last three to understand the first two. In fact, I read The Hobbit and LOTR for the first time in 6th grade, then a novice reader that didn’t understand half of what was going on in the novels. However, as I matured and reread the novels I came to understand the central themes and allusions made in the text. The fact that it is not quite clear that Gandalf is an Istari does not hurt the novel. It doesn’t even hurt the novel not knowing that Sauron is just the demon lieutenant of the original Fallen Angel bad guy Morgoth. These novels can stand alone as something enjoyable in themselves, but if you are a Tolkein fan then you can read all of them and have a full understanding of the entire saga of Middle Earth.

The worlds are in fact maintained if you are a mature enough reader to understand what Tolkein does.

Matt Knicl (Matt Knicl) says:
(Posted March 8th, 2008 at 4:57 pm)

Like I said above, there is nothing wrong with reading all the books if you have the time and wherewithal to get into them. It’s not a matter of maturity, but a matter of taste. I’m proposing that there are easier, less confusing fantasy epics out there.

Vince Crosby (Vince Crosby) says:
(Posted March 10th, 2008 at 1:07 am)

Actually, the Hobbit and the Lord of the Rings are the only complete works Tolkien published, even though that world had been evolving from 1918 ’til his death in, I believe, 1973. Every other volume, from the Silmarillion onwards, was published posthumously and, therefore, in an incomplete form. I believe Tolkien was in the process of rewriting the Silmarillion to include the alterations in his universe that he had been making throughout the last forty-odd years. In fact, most of the book reads like a synopsis because that’s the latest documentation Tolkien had: plot outlines, epic poetry, and annals that were sometimes half a century old and therefore incompatible with the published works.

As for the History of Middle-Earth’s twelve-volume series, that’s just a documentation of the evolution of that world from its much simpler form in 1918 to its form just before his death. In fact, if you read the volumes, you’ll notice that Christopher Tolkien arranged them in chronological order. Since his stated job is to publish the materials and not make alterations or write his own stories, these materials are presented in their original, incomplete, and often contradictory form. Still, to Tolkien buffs, they’re interesting to read.

And, at the end of the day, Tolkien was a professor first, author second, and those priorities show in how long it took him to write this, and why it still wasn’t finished. He seemed insistent on creating an entire world in which the stories were based, and so put a great amount of work in detail that would never appear in his published works, save for a one-sentence reference. That’s just a difference of priorities, and is really tied more to his personal interest in mythology than his interest as an author.

Not a criticism of your comments, just some extra information from someone who obsessively read this stuff. :P

Matt Knicl (Matt Knicl) says:
(Posted March 10th, 2008 at 1:18 am)

Hey Vince! No, thank you for your comments. It’s important to know the works’ initial presentation and its relation to the author for everything you read. So much happens behind the scenes (like with publishers and whatnot) that we need to take those into account (like how Britishisms were removed from the first Harry Potter when published in the States).

Josh Schneider (Josh Schneider) says:
(Posted March 13th, 2008 at 2:58 am)

I’ve no problem with your opinion, I’ll say that from the start. However, your argument against Tolkien mismanaged a lot of facts about the author and his works:

1) Making the assumption of Sauron as a demon and Gandalf as an angel is just an assumption you made because you’ve spoken to people about Lord of The Rings and they have spoken to you of things such as the Istari. Reading at face value, with absolutely no knowledge of the Silmarillion, (this is actually a good chunk of readers) Gandalf can easily be accepted as a wizard of immense power and Sauron as a warlock with a penchant for evil. In fact, in the Hobbit, if I’m not mistaken, Sauron is referred to as a necromancer. If the Silmarillion had never found publication, people would have made the assumptions that Tolkien often implied in his works, simply that Gandalf was a wizard of immense power. And Sauron in desperate need of visine (yes, that was a joke, pause for effect).
2) Any attempt or desire to read the Silmarillion would be for love of someone’s work, whether it’s his world, his style, or simply what drew Tolkien: language, to writing something so comprehensive. If you feel you have to read it to understand the Hobbit or LotR then that’s your prerogative as a reader. Tolkien wrote those two books to be published and sold and that is it. The rest was simply for love of his own creativity and his own work, stuff that he never expected to see publication.
3) When criticizing the inability to read LotR without the Hobbit, remember this one little fact: The only reason LotR was written was because readers demanded a sequel. As it’s meant to be a sequel (even if it’s written as a continuation) then you should never even hear about Lord of The Rings before first knowing the Hobbit. If you had, or you expect you do, it’s because of media and popular opinion thanks to some movies. You can hardly blame an author because his sequel became more popular than his original.
4) You refer to Bone as, in essence, better fantasy. Not easier to read, not easier to love, but better. I think you miss a couple of points here and offer the worst comparison to Tolkien in order to encourage your own argument. First, Bone was originally written as a comic, regardless of whether or not you can buy it as a tome now, meaning you’re comparing two different forms of the same media which will OBVIOUSLY give credence to your argument for concise (comics are meant to be concise, it’s simple an Tolkien was anything but concise). Instead you may have thought to compare Tolkien to, say, another fantasy book author (Donaldson and C.S. Lewis off the top of my head are good comparisons while still keeping them in the same formula). Second, a giant generation gap. The Hobbit found publication in 1937 after being written in the 1920’s. Contemporary authors have learned from previous fantasy authors (of which Tolkien is in the highest regard as far as creating a world and level for authors to use as a standard; case in point, look at how Tolkien’s effected the word orc). Third and last, Bone generates a lot of its value in character development in being a comedy, something Tolkien never attempted, again offering the apples and oranges comparison you seem so thrilled to make.

As far as I’m concerned, it’s your personal choice to regard whomever as your favorite. But Jeff Smith is by no means a better fantasy author than Tolkien. It’s just a poor comparison and one hard to argue objectively on either side.

Matt Knicl (Matt Knicl) says:
(Posted March 13th, 2008 at 3:49 pm)

Hey! Very good points (love the visine thing - I can picture the Ben Stein commercial).

It is a somewhat arbitrary comparison and came about as I read Fellowship and reread Bone at the same time. I found there was a lot of similarities, most likely because Smith drew upon Tolkien’s works. I guess my bitterness toward LotR is brought about by the fans themselves, who (I hope I use this term correctly) “owned” me with knowledge from texts I didn’t know existed really only to show that they knew that outside knowledge. You are right though, Tolkien gets a bum wrap due to what followed.

And I have an much higher opinion of LotR now that I have read Michael Moorcock’s Elric stories and will express that in a future post.

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